Key Qualities of the Digital Medium

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Key Qualities of the Digital Medium

◄ Design objectives & Evaluation methods of my phygital scenario

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Key Characteristics of the Physical Realm ►

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Intended Learning Objectives

Teaching/Learning Methods

Unit 1: Telling Stories: From the Analogue to the Digital

1.1 Telling Stories: From the Analogue to the Digital

1.1.1 Narrative and Storytelling
1.1.2 Narrative Theory: The Beginnings & Relevance Today
1.1.3 Case Study: DH Origin Stories
1.1.4 Technology and Narrative
1.1.5 Case Study: Rhyzomic Narrative
1.1.6 Digital Storytelling
1.1.7 Storytelling as Meaning Making in Multiple Perspectives
1.1.8 Case Study: Maps of our Worlds
1.1.9 The Medium and the Message
1.1.10 Memory, Archives, and Storytelling in the Digital
1.1.11 Case study: Archives that Matter
1.1.12 Case study: Digital Orality

The Three Modalities

Digital Narratives

Show Don't Tell Quiz

On Perspectives

Capturing frames

Thickening Origin Stories

Unit 2: Snowfall and Other Multimodal Narratives

2.1 Multimodal Narratives

2.1.1 Introduction
2.1.2 Multimodality, Interactivity & Remediation
2.1.2 Web 2.0: Interactivity & Parallax Scrolling
2.1.3 Digital Long Form Journalism: A New Narrative Type
2.1.4 Snowfall: The Avalanche at Tunnel Creek
2.1.5 Case Study: Wireframing Snowfall
2.1.6 Wireframing a Multmodal Narrative

What is Multimodality?

Blur of White Wireframe

Amazon & Orcas Narrative Quiz

Unit 3: Museums and Digital Storytelling

3.1 Changing Notions of Museum Narrative and Audiences

3.1.1 What is a Museum For?
3.1.2 Shift in Authority & Shift in Audiences
3.1.3 Timeline: Changing Notions of Audiences
3.1.4 Shift in Notion of Audiences & Shift in Narratives
3.1.5 The Danger of the Single Story
3.1.6 Further Reading

3.2 Spaces of Engagement

3.2.1 Where is The Storytelling?
3.2.2 Spaces of Engagement
3.2.3 The Phygital Museum
3.2.5 Further Reading

3.3 Analysing How Storytelling Works in Museum Space

3.3.1 Analysing Space, Discourse and Storytelling in the Museum
3.3.2 Further Reading

Assignment: story board or wire framing of a digital/audio narrative for existing (online) exhibition

Changing notions of Audiences

The words we use

Fill in the blanks

Match the Concept

Is it true or False?

Phygital Heritage Model Components

where is the storytelling (2)

What comes to mind when you think of a museum?

The Danger of the Single Story

Summary of Where is the storytelling

Unit 4: Phygital Heritage: Design, Interaction, and Evaluation

Test my knowledge about 'Phygital Heritage'

4.1 Introduction to Phygital Heritage

4.1.1 Introduction
4.1.2 Why Phygital Heritage?
4.1.3 Model of Phygital Heritage

4.2 Scenarios of Phygital Heritage

4.2.1 Rationale Behind the Scenarios of Phygital Heritage
4.2.2 Scenario 1: Saqqara Entrance Colonnade - Tangible Interaction to Communicate Tacit Knowledge of Heritage
4.2.3 Scenario 2: Nimrud Relief - Architectural Contextualization of Heritage using Augmented Reality
4.2.4 Scenario 3: Graethem Chapel - Interactive Projection Mapping
4.2.5 Scenario 4: TouchTomb - Cultural Learning via Tangible Gamification
4.2.6 Exercise - an Imaginary Scenario of Phygital Heritage

4.3 Evaluation of Phygital Heritage

4.3.1 Observation
4.3.2 Interviews and Sketching
4.3.3 User Experience Questionnaire
4.3.4 Evaluation Framework of Phygital Heritage
4.3.5 Exercise - Evaluation of a Phygital Heritage Scenario

Evaluation Quiz

Design objectives & Evaluation methods of my phygital scenario

Key Qualities of the Digital Medium

Key Characteristics of the Physical Realm

Unit 5: Audio Narratives

5.1 What Are Audio Naratives

5.1.1 What Are Audio Narratives
5.1.2 What Kinds of Audio Narratives Do You Know?
5.1.3 What About Audio?
5.1.4 What About Narratives?
5.1.5 Focalization and Positioning in Audio Narrative

5.2 Locative audio narratives

5.2.1 Introduction
5.2.2 A Brief History of Locative Auditory Media
5.2.3 Listening to (Locative) Audio Narratives
5.2.4 Conceptualizing ‘Locative’ Media
5.2.5 Narrative Archaeology and the Interactive City
5.2.6 Locative Narratives in the City

5.3 Listening to Layers of Spatialized Sound

5.3.1 Introduction
5.3.2 What is a Soundscape?
5.3.3 ‘Cultural’ Soundscapes
5.3.4 Acoustic Territories and Auditory Bubbles
5.3.5 Points of Audition

Connect the Terms to their Definition

Soundscape Vocabulary

What is 'Locative Media' ?

What is Locative Media?

5.2.4 Conceptualizing Locative Media

5.1.3 quizzes: situating

Collage of Sound Fragments

Sound Effectiveness

Kinds of Audio Narrative: Radio Drama

Kinds of Audio Narratives: Audio Guide

Kinds of Audio Narratives: Audio Books

Kinds of Audio Narratives: Sound Installation

Kinds of Audio Narratives: Game Soundtrack & Online Narratives

Kinds of Audio Narratives: Sound Walk

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